Where Metro 2033 and Metro Last Light relied on scarce materials and sudden brutal encounters to evoke the tense atmosphere of the underground, Metro Exodus seems to revel in the additional space, bringing massive set pieces and large scale encounters to the table as a contrast. After the first few linear levels Exodus presents the player with huge, almost open-world scale maps that serve as a backdrop for multiple missions, side-quests, and a metric ton of random exploration to find crafting materials, suit upgrades, and weapon components scattered everywhere.
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Picking up after the events of Metro Last Light, our mute protagonist Artyom again finds himself in a position where it falls on his shoulders to save the world, but instead of the narrow tunnels of the Metro or the claustrophobic streets of Moscow’s destroyed buildings, Exodus takes us out of Moscow for the first time in the series and brings with it a completely new game structure. Like the previous games, Metro Exodus is based on the Metro book series written by Dmitry Glukhovsky, in this case very loosely based on the events of Metro 2035. Anna can even brighten up the grim countryside. It is with this new outlook that Artyom and a ragtag band set out to discover the truth, and perhaps find a way to save the last remnants of humanity from dying in the dark. After the bleak tones of the first two games, Metro Exodus turns the series formula on its head, positing that perhaps life still may exist outside the Metro, and that Artyom’s continued attempts to make radio contact with the world have failed for a reason. Unlike the somewhat upbeat Fallout series, Metro continuously hammers home the dangers of the post-apocalypse, where every trip to the irradiated surface comes with the threat of mutant attack and constant awareness of how few filters you have left for your gas mask. Metro Exodus is the third game in the Metro series ( Metro 2033, Metro Last Light), once again following silent protagonist Artyom Dark through his trials and tribulations in the confines of the subway tunnels and stations of Moscow’s underground Metro. These are the facts of life in the Metro - but what if everything you knew was a lie? It is a harsh, brutal life, where death comes easily and hope is only a distraction. The entire population of the world within the tunnels and stations of the Metro numbers barely 50,000 people, living on mushrooms and the descendants of the few remaining livestock animals that they were able to save. The only survivors are those who were traveling on the Metro, or were able to reach its safety before the hermetic doors to the surface were sealed against the radiation. It has been 22 years since nuclear war has rendered the surface of the world uninhabitable.
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